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India’s national treasure was half-Hungarian and lived only 28 years – Indian-Hungarian painter Amrita Shér-Gil was born 110 years ago

25/01/2023
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In just six years of her adult life, Hungarian-Indian-born painter Amrita Sher-Gil has created an impressive oeuvre of paintings that is now a national treasure in India. She has lived in many places, she was equally at home in Paris, Hungary, India, and Florence, but somehow she has never found true peace anywhere. She had many love affairs but was unable to trust anyone enough to commit herself wholeheartedly. Happy and deeply depressed, scandal after scandal, and constantly breaking the rules, she lived and created passionately between worlds, continents, and cultures, especially Hungary and India.

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Little Amrita, whose Hungarian first name was Dalma, was born in Budapest in 1913. With her black eyes, thick dark hair, and laugh, she immediately swept her father, Umrao Singh Sher-Gil, an Indian Sikh aristocrat, polymath, contemplative scholar, and amateur photographer off his feet. Her mother, Gottesmann Marie-Antoinette, had a completely different temperament: she was a sociable aspiring opera singer, born into a Hungarian-Austrian-French-Jewish noble family. The parents agreed to baptize the girl Catholic, although they did not believe in any particular religion. A year later, in 1914, their second daughter Indira was born. From the very beginning, they took great care to develop the talents of their two daughters: in addition to Hungarian, they spoke French, English and Punjabi at home, the girls received a culturally focused international education, and the parents noticed Amrita's talent for drawing early on. It was her uncle, Ervin Baktay (Gottesmann), a painter and Indologist - to whom we owe the Hungarian translation of the Kama Sutra - who noticed her, and it was at his suggestion that the parents hired a drawing teacher for Amrita. The vegetarian family lived in Budapest, in 4 Szilágyi Dezső Square, and at that time no one could have guessed what an adventurous life Amrita would lead, nor that she would become one of the most influential figures in 20th-century modern Indian painting.

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Amrita Shér-Gil with three of her paintings
Amrita Shér-Gil with three of her paintings - archive photo

Beautiful, headstrong, and rebellious

The Sher-Gil family first moved from the capital to Dunaharaszti, where Amrita first experimented with Plein air painting, and in the summer her uncle Ervin Baktay gave her technical advice. Decades later, local residents still talked about the Indian maharajah who hid in their village, walking with his little girls along the banks of the Danube. After the end of the First World War, in 1921, they moved to India, where the young girl witnessed an Indian girl of her age being forced into marriage by her parents. Anger gripped her, and in an attempt to relieve some of her anger, she turned to her canvas and painted what she saw. Bride - the title of the painting, one of his most famous. Amrita grew up to be a beautiful young woman with original talent, who was also a fan of the works of Hungarian poet Endre Ady and loved Hungarian traditions.

She painted like a European but felt like an Indian.

There was however one small "problem" with her: she was very headstrong. At the age of eleven, she was expelled from a school in Florence because her rebellious spirit made her unable to conform to the rigid mentality of the Catholic school. She moved to Florence with her mother to study painting, but this was probably partly due to the love affair between her mother and the Italian-born art teacher who taught Amrita to draw. Wherever life took her, she sought inspiration. She was most influenced by Cézanne, Van Gogh, and Gauguin, and her great empathy soon led her to turn her artistic interest to the marginalized servants and oppressed classes, whose representatives she portrayed with poignant power.

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Painting of a bride
Bride's Toilet - Wikipedia

Parisian decay, nude painting, and the search for identity

At 16, she already dressed and behaved like a grown-up woman, with a passion for fancy jewellery and full of vitality. In Paris, she became familiar with the rules of European painting: the visual proportions defined by the figure and structure, and compositional solutions. Her work was already a success at student exhibitions: her painting Young Girls won Paris's most prestigious prize, the gold medal of the Grand Salon de Paris. Later, she rented a studio with her girlfriend, where she lived a bohemian and adventurous life with her friends, independently of her parents, by spending nights out, painting nudes (of women), and advocating free love. She often depicts female figures in erotic situations or in conversation, which art historians believe expresses her own search for identity and her constant outsider status. While she was acclaimed in Paris, her erotic paintings and love affairs caused outrage in contemporary India.

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Amrita Shér-Gil in an archive photo and in a self-portrait
Amrita Shér-Gil in an archive photo and in a self portrait - Wikipedia

Irreconcilable mother-daughter conflict

The reason Amrita almost never painted men, art historians say, may have been because in her family women were more dominant. Her mother, nicknamed Mici, had a definite idea of how Amrita should live her life, marrying well for financial gain, so when she learned of her daughter's impulsive life, she became furious. It only added fuel to the fire that she refused to marry the rich Indian man she had chosen, but at the age of 25 announced that she would marry her cousin, Dr. Viktor Egan, a doctor with whom she had grown up in Dunaharaszti as a child and had fallen in love. And because he agreed to live in an open marriage with her.

Viktor did not want to limit Amrita's artistic or personal freedom.

The couple initially lived in Hungary, where Amrita's painting was inspired by rural peasant life, and she painted one of her best-known paintings, The Rural Market there. They travelled to India to escape the impending Second World War and settled in Lahore, where Viktor opened a surgery. Amrita painted a lot, went into a depressive creative crisis, and then regained her strength. Inspired by reality and Rajput miniatures, she used her own Indian colours in all her works. By 1937, all the painterly knowledge she had acquired in Europe and India became condensed in her painting, and this was intertwined with her sense of mission and personal sensitivity.

Did poisoning, abortion, or murder end her life?

By her early twenties, Amrita had become very rich, but she preferred to live the life of a poor bohemian. She was mentally unstable, living life to the fullest, unable to find her balance and secure attachments. She had planned a major exhibition for December 1941 but died unexpectedly a few days before the opening. She fell ill after a dinner at a neighbour's house and two days later fell into a coma, while unconsciously speaking Hungarian. Shortly afterwards her heart stopped beating. She was only 28 years old. The official explanation for her death is that it was caused by a stomach infection, but to this day there are those who believe that she was killed by her mother (all we know for sure is that her father became depressed after her daughter's death, her mother blamed her son-in-law and committed suicide seven years later) or that she died of peritonitis following a botched abortion. Her body was cremated the next day after her death and her ashes were scattered in the Ravi River, as is Indian custom, so we will never know exactly what caused her death. 

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Amrita Shér-Gil's self-portrait, segment
Amrita Shér-Gil's self-portrait, segment - Image: Wikipedia

The Hungarian public saw her art in all its greatness too late

In 2001, a collection exhibition of her works was held at the Ernst Museum in Budapest, and it was then that the Hungarian art-loving public first really came face to face with the fact of what a great artist this young woman had been. In 2013, on the 100th anniversary of her birth, Hungarian and Indian history met under the trees of the Budapest Museum Garden in the form of images entitled In The Footsteps of Amrita Sher-Gil. Visitors were able to follow Amrita's life and work on 50 150×150 cm banners stretched along the museum's fence. The exhibition material came from the Ferenc Hopp East Asian Art Collection, Indian legacies and individuals in Hungary.

Millions of dollars are now paid for a single painting

Also known as 'India's Frida Kahlo', she is credited with renewing  Indian painting, and many believe she fought for women to go to school and pursue a career as an artist in India.

A street in New Delhi bears her name, and her paintings sell for astronomical prices, with even a pencil sketch she had drawn on paper when she was ten years old fetching $71,000. Her paintings in India are housed in the Modern Museum in New Delhi. They are considered national treasure and none of her works are allowed to leave the country.

"Amrita has profoundly shaken up Indian art. Her determination, knowledge, resolve and commitment to both art and the future of India have made her a household name. She was a clear-thinking, energetic young woman who created modern art in India through her paintings, a passionate and beautiful woman who upheld the ideal of the universality of art, who influenced women's equality through her art, who was a follower of post-impressionism and who was outraged by the strict caste system and the exclusion of women from social life. She was a bridge between West and East. Her paintings link the post-impressionist style with the traditional art of India," said Széchenyi Prize-winning art historian Katalin Keserű.

Literature:
Balla Jácint. Egy szenvedély története, 2020. (jelen.media.hu)
Ferenc Hopp East Asian Art Collection
https://www.sikhiwiki.org/index.php/Umrao_Singh_Majithia
https://corvinakiado.hu/media/kiadok/pdf/139450453.pdf

 

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”I’m not going to give up on my brother” – Tamás Kertész swimmer looks after his wheelchair-bound brother 24 hours a day

18/01/2023
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He blinks shyly at the lens but looks me in the eye with great confidence. "I'm more nervous than I was in my university exams. At least I'm not doing an interview in my pants," he says, and we laugh. After all, Tamás Kertész is a swimmer and meets journalists mainly by the pool. The young athlete has spent his whole life in the "deep end": he was raised in an orphanage from the age of six, helps his wheelchair-bound brother 24 hours a day, and supports other people suffering from muscular atrophy as a volunteer for The Duchenne Hungary Foundation.

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Staying afloat

He started training again in June after a six-month break due to a serious ankle injury. Due to the complicated category system of swimming and a childhood misdiagnosis, Tamás Kertész competes in the non-disabled category but has also competed in some events in para-swimming. The athlete of the Special Education Methodology Center's Sports Association  (MDSE) had already set his sights on the 2016 Rio Olympics, but the A-level time and thus the qualification at the age of fifteen remained a dream. Having resumed his training, he now believes that if his rehabilitation and preparation go well, he has a chance of qualifying for the Paris Olympics.

Long miles at dawn, multiple training sessions a day... we can imagine the superhuman work that goes into an Olympic quota. But

someone who lifts not only weights every day but also his disabled brother has strength other than that of a top athlete.

Tamás and his seven-years older half-brother Roland Horváth were brought up in the Károlyi István Children's Center in Fót after their mother gave them up when Tamás was six. The brothers were orphaned a few years after moving to the center. The Children's Center is often thought of as a 'compulsory' stop in the life of a kid whose life went off the tracks, but for Tamás it was not an insurmountable handicap, but rather a refuge. "I don't like to call it an institution, because we went home there. We were brought up, loved, and taught to stand our ground. There is no substitute for normal family circumstances, but part of the void was filled by the fact that we were looked after. The care I received helped me to accept that I don’t have parents."

Casting for love

His disabled half-brother was diagnosed with muscular dystrophy at an early age, and although he can do many things independently, he needs a wheelchair and constant assistance. Initially, Tamás was suspected of having a similar diagnosis, but this was not confirmed either at subsequent reviews or at the time of the athlete's classification. The brothers' "roles" were set early on:

Tamás became his brother's physical support while Roland was the one who helped his brother through when he was overwhelmed by life.

As schoolchildren, they got in touch with the Duchenne Hungary Foundation through Roland. The foundation supports children with Duchenne muscular dystrophy and their families, organizing community events and summer camps. Tamás also participated in these as a personal assistant to his brother. Soon other campers began to count on him too, and he became a volunteer you could count on in every task: lifting, bathing, accompanying those who need help, or even helping them to get dressed, but mostly he helped his brother and his brother's best friend. Sometimes, not only during the camps but also for a few hours on weekdays, he helps friends he got to know at the Foundation.

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Tamás Kertész
Photo: Jácint Jónás

"Actually, Roli raised me. It's funny because, on the other hand, he's dependent on me. My brother gave me a lot, he taught me to accept others and to use my time well." And no doubt: Tamás’s time management could be called the sixth love language. He completes ten to twelve training sessions a week on an individual basis, following a prescribed training plan. At a university in Budapest, he studies logistics by correspondence and photography and graphic design in the evening. In addition to his studies, which he is completing with excellent results, he spends his weekends swimming, meeting his girlfriend, or volunteering at the Foundation - and he does it all by constantly rearranging his schedule to suit Roland's needs. "The most important is that we're always on our phones, always available for each other. I usually sleep in Fót, but if my brother is sick, I spend the night at their place. If I get permission at the times of competitions, I come home to help him, but if we really can't manage because I have to travel to the countryside or abroad, we ask our friends in the area for help."

If there’s a bond do you have to help?

Until his graduation, Tamás can still be a resident at the center in Fót, in the so-called aftercare unit but he spends most of his time at the home of Roland and his wheelchair-bound wife in Budapest so he can help out whenever he needs. The physical need for Tamás' service can hardly be overestimated. He does not deny this, but he does not see it as a tragedy either. "My brother's weight is one and a half to two times mine, and sometimes when I have to lift him a lot, I feel it's too much. But I love him and I love that I can help him. It's a joy for me that he always thanks me for whatever I do."

Sometimes it is difficult to identify love when it takes the form of a sense of duty. When Tamás says that "I help him because I have to" it is simply the truth and not something forced. He never felt that his brother was a burden and although it pains him to be abandoned, he would never be able to say of his parents that he had not loved them: if he had not loved them, he could not love Roli. "They gave me up, well…. okay. But that doesn't mean I'm going to give up on my brother."

Tamás is a good example of the fact that even if we find ourselves in a situation without being asked we can still participate in it freely.

"If someone needs help, especially twenty-four-hour help, it really requires sacrifice and leaves minimal free time for the helper. Travelling is something you really have to think through and there are some things that you have to let go of - for example, I’m in my twenties and I've never been to a party. But you spend your free time with the people you love anyway."

Tamás wears a memento of one of their most cherished moments together: a tattoo of the Colosseum on his right forearm. "My brother had never flown before but thanks to sports competitions and an Erasmus program, I had been to Italy many times. In 2019 the two of us went to Rome from all my scholarship savings. The city is full of cobbled streets and hills, so for five days I had to push Roli on two wheels almost the whole time - now that was tiring. But it was worth it because it made me happy." Roland got married this spring and they went on a honeymoon to the Eternal City. There were three of them, of course, because they took Tamás, his best man with them.

A man in the background

The younger brother is the support of the body and the older one is the support of the soul. According to Tamás, there is no reason to change the established setup. The intimate relationship between brothers would not be possible with a professional helper whose work they could not afford anyway. When planning his own family Tamás wants to be close enough to help but not always at arm's length. He seems to have found a supportive partner in his girlfriend. As he says with a smile, "Oh, she has our lives mapped out!"

"I never promote myself, I don’t let the world know what I do, and I don't like to post on social media. I sometimes think about what it would be like to live in a normal family with loving parents, what it would be like if Roli wasn’t sick but I've never thought about being the center of attention. I'm fine in the background," says Tamás, who also thinks that having a good heart is the main criterion for becoming a role model. "Outside the world of sport, my brother is the only role model for me: he has always been there for me. He helped me through the separation from my parents and kept me going when I was going through a rough patch at the beginning of my high school years. Adam Peaty is the swimmer I look up to the most. He's not like, hey, I'm a top athlete, now everybody, look up to me! He's very supportive and does a lot of charity work. He also gets his family involved in the sport. I like his attitude."

When asked to highlight his most important goals Tamás does not start with following the footsteps of the multiple Olympic and world champion Peaty, not even with the Paris Olympics. The young man's ambition now is to get his degree, and he wants to continue his studies, first at master's level and then even higher. Equally important, he wants to continue helping as many people as possible. "To do that, I need to stay healthy. My health is more important than getting to the Olympics." 

 

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A new Secretary of State who believes in the compatibility of being a mother and having a career – an interview with Ágnes Hornung

11/01/2023
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Those who know the story of her life rightly think of her as a brave and tough woman. She is the one who left her position as Secretary of State to go and have children, and then when she had two small ones she took on another risky mission and said yes to another position as Secretary of State. Today, she is the face of family-friendly politics in Hungary. She can authentically represent this family policy, the most important pillar of which is precisely the balance between work and family life. Meet Ágnes Hornung, State Secretary for Families at the Ministry of Culture and Innovation.

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You were the first Secretary of State who left their position to give birth to your child. But now, when you have two small ones, you have agreed to take up a new position as Secretary of State. Did it take a lot of courage to make these two decisions?

It’s true, there has never been a Secretary of State before me who’d leave to have a child because it is more common for women to build a career at an older age when they have older children. I was Secretary of State for Finance at the Ministry of Finance between 2015 and 2018, and I loved my job. But I came to a point when I felt it was time to start a family, and that became my priority. My return to work was like a folk tale: as a mother of two small children, I had planned to come back a little later, but I was asked several times, and finally, I could not say no, because it was a very honourable task and mission. I am happy to be Secretary of State for Families after the birth of my children because it makes me more empathetic to the needs, problems, and joys of families. It’s true, it mothers with young children do need to have courage if they want to return to the labour market earlier, but it is important that the decision is taken freely and within the family.

In your experience, why is it important to have more women in decision-making positions and political leadership?

In my work in the Ministry of Finance, I have observed that although finance is a technocratic field, men make decisions differently because they have different dynamics and different ways of thinking than women.

I believe that in order to make good decisions in all areas of life, we need both men and women.

It is not a stereotype, but a fact of experience that men who make decisions think in big steps, with ambitious goals, and we women pay much more attention to detail, which is also important, because we would not be able to make big steps without paying attention to the small details. In addition, we women - with respect to the men exceptions - have greater empathy, and we tend to be more able to utilize our emotional intelligence in our work. This is important because when we make laws, it is important to see the problem behind the legislation that we are trying to solve or the situation of the individual that we are trying to alleviate. You also have to consult with a lot of people involved, which you cannot do without empathy. That is why I hope that we will see more and more women in government and in leadership positions, where decisions that affect our lives are made because I believe that really good decisions can be made by women and men working together.

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Ágnes Hornung talking to Lívia Kölnei
Photo: Gábor Bodó / Ministry of Culture and Innovation

Who can you turn to for help and how do you balance work and family life?

My husband takes a lot off my shoulders, I couldn't do this kind of work without him, and I can talk everything through with him and we make decisions together. The support of my family is a huge help. My older is fortunately happily settled in a small group at a nursery nearby which he started in September, while my younger child is still in daycare. As Secretary of State for Family Affairs, I am lucky to be invited to many events where my family is welcome too, so even if it is at weekend or after working hours, it is still a time when we’re together so it is much easier.

You mentioned how good it is to be able to be in this position as a mother of two. What new skills and insights have raising children and having a family given you?

I have much more patience now since having children. I've learned to explain things to my four-year-old very simply or in completely different ways and by using a lot of examples. I find this very useful in everyday life.

Do you have role models or certain kinds of patterns from your childhood and early career that help you cope in difficult situations?

I am grateful that my brother and I grew up in a close-knit, loving family. One of my great role models is my father, who is a model of diligence and perseverance.

In all my jobs - in the business sector, in government, in Brussels, and in Hungary - I've had the opportunity to work with fantastic people and I’ve learnt a lot from them.

As much as I know, sport used to play a big part in your life. Do you still have time to do some exercise or go to the gym? Do you want your children to play sports?

Unfortunately, I have very little time for exercise nowadays, but in the past, when I was studying or later working, I always made time for sports. I tried many sports and triathlon ended up being my favourite. It is a monotonous, hard and complex sport. I find it relaxing when I do the miles in the pool because I can get to a relaxed state of mind where I can start to rebuild, and it's very healthy, too. Swimming has always been my favourite, but I enjoy running and cycling too. I really want my children to play sports, and we already started to introduce different kinds of sports to my son but we want him to be able to choose what he wants to do. He said he would like to do fencing, probably because he likes playing with his toy sword. I've never tried it, but I think it's a very good idea.

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Ágnes Hornung
Photo: László Katona

I think it is not easy to be the Secretary of State for Families in this difficult economic climate. What is family policy about today?

I think it is important to make it clear that the state's ability to help families financially is only one aspect of family policy. For the government, the pro-family turn 12 years ago meant a change of attitude in the country: for us, families are a priority, they are the foundation of the nation, and we want to help them to thrive in every situation. To do this, the government has set out three main objectives: one is to help people have children. We will of course provide financial support for those who have children, but we can also help them by, for example, encouraging maternity wards to become family-friendly or by expanding the network of district nurses. The second is financial support that we provide for those getting married, having a child, or setting up a home, but also we give them tax allowance or make it possible financially for grandparents to help the young couple. And our third goal is the balance between work and family life.

After all, the first thing we talked about in this interview was how important it is for mothers - and fathers too - to be able to go back to work if they want to, but if they want to stay at home, make it possible to spend their time with their children.

We made their return to work easier by tripling the number of villages or towns where day-care centers are available since 2010. And we're encouraging employers to see that if there is a balance in their employees’ work and personal lives it contributes to the efficiency of their business. Companies are now competing to win the Family Friendly Workplace Award.

Family policy is also very special because family life is a private matter in which we cannot interfere - but we can give support! We provide security and predictability for the whole family throughout their life – and that is the essence of our policy.

I appreciate the work that the government has invested in recent years in developing a network of institutions to help victims of relationship violence. Is there any way to continue to maintain and operate this?

Yes. Our aim is that everyone should be able to get help, no matter what kind of family they live in, and we should not lose those whose lives are not going as planned.

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Ágnes Hornung
Photo: László Katona

What tasks do you have in the near future?

I think it is important to raise awareness about breastfeeding and that mothers get the help they need about it. We plan to set up a national breast milk bank. We also want to help older people affected by dementia. All in all, the most important goal is to keep the achievements of Family Friendly Hungary, to keep this mentality going, and to ensure that families continue to enjoy the opportunities that have been created so far.

I work to help as many people as possible to experience the wonder of having children.

What are your plans for Christmas and New Year’s Eve?

I'm looking forward to Christmas, to being together with close and extended family and friends. I'd like to slow down a bit during the holidays... We will decorate our home nicely, but we're not planning on doing much because the most important thing is to be together.

Will the kids be allowed to have cookies, too?

I was very strict with my first child about not eating sweets, but I can see how difficult it is to keep this with the little one, when the older one can eat sweets now and then. Of course, we will have Christmas cookies.

 

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To go somewhere no one had ever been before

04/01/2023
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Men too can be scared. Men are also driven by the agony of fear, and the desire to prove themselves. They too are wounded and hurt. They too ask the question: can I do it? I think he can say: 'I have done my best to live the life I wanted'. László Kupi, geologist and owner of Fine Mineral Photography, which many of us admire, is letting us get close to him for the first time. And I don't understand why we have never done an in-depth interview with him before... While he talks, the outside world disappears and I am there with him a little bit, in the African jungle.

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It is a deep, dark night. My forty-second night in the African jungle. I lie on my back in a double sleeping bag in the tent. My hands on my chest, my eyes closed, only occasionally opening at a strange sound that pierces sharply into the night. Automatically, awakened, as if seeing it would remove the power of the unknown. But I see nothing but the tip of the tent pointing skyward. Many times I have been afraid, with the paralyzing power of fear, yet I have set out, even longed to be on this journey.

That night, as if I had lost my mind, I woke up and walked out of the camp as I was, into the engulfing darkness of the African jungle. I didn't want to be afraid anymore.

I didn't know then that fear protects, warns, and signals. It's like a guardian, swinging around and stopping you just before the abyss.

For a long time, I believed that fear was just a barrier and a pullback, that it was the reason I didn't dare, and I wanted to get rid of it. That night I could have died of my own free will. Not seeing what I was stepping on, what was coming towards me, what I was bumping into, where I was falling, or what would devour me. I think that's what Kundera would call "the unbearable lightness of being". And indeed, when you are on the verge of cessation, suddenly everything becomes simpler, slower, almost still, and beautiful. You become that too, for yourself. It was that very night that I learned that my fear is me. I was afraid of myself, for myself. Because what happens when I’ll no longer be here?

For years I wrote a diary because I was lonely. I went on many expeditions as a lone Hungarian, surrounded by people of many different nationalities, with whom I had no opportunity to talk deeply, understand or even share the spiritual processes, changes, and doubts that were going on inside me. The jungle is unpredictable and in this unpredictability, you can only count on yourself, on your own presence of mind.

On 3 January 2011, I said goodbye to my parents at Ferihegy airport in Budapest, and the flight to Paris took me with my meagre luggage to the French capital, where I was greeted by windy, cold weather. As I was heading for the tropics, I had brought no warm clothes other than a sweater I was wearing. The next morning, I took a shuttle to Orly airport, where after a short layover, I left for French Guiana. As we slowly reached the coast of the continent towards the end of the 10-hour flight, the canopies of huge, straight-edged trees peeking out of the tropical rainforest could be seen through the tiny windows, almost fighting for the scorching sunlight. I thought we were about to land in the middle of the jungle when the giant plane turned sluggishly and we glided down onto the concrete tarmac of Cayenne's airport. Soon after I had collected myself and my luggage, I stepped out into the lounge, where André appeared, who, by some fifth sense, found me in the crowd and greeted me. Later he told me that I was the only one who looked like a geologist.

As we stepped out of the airport, I was hit by the hot, balmy, humid air of the tropics. It was almost suffocating, yet I fell in love with it instantly.

Even the journey to the hostel was an indescribable experience. Everywhere you looked, there was vibrant greenery, exotic plants and birds bursting with life, and dazzling four-petalled and tiny jagged flowers. I took a short stroll around my bungalow and nearly ran over a good forty-centimeters lizard with a tail that was a garish shade of blue-green. Vultures were circling over the hills covered in lush vegetation. And the sounds! I’m going to record it once. I was expecting something similar, but not this variety. Buzzing, hissing, crackling all around, with a wide variety of rhythms, volumes, and timbres. Like the voice of angels, as if coming from the sky, enveloping and filling everything.

I've never been interested in tourist destinations, famous capitals, or popular sights, I always preferred unspoiled landscapes. I had a desire that followed me throughout my childhood: I wanted to go somewhere no one had ever been before. As a boy, I loved the books by Gábor Molnár, Zsigmond Széchenyi, and Gerard Durrell, who were the real adventurers in my eyes. They were the first to 'tell' me about endless savannahs, lions and elephants, musk oxen, and unforgettable hunting adventures. I always had a longing to tread the paths that my favorite hunter-writers had cut a hundred years ago in the African jungle.

I grew up in Kápolnásnyék, in a village on the shores of Lake Velencei, in a friendly house surrounded by solemn trees and a huge garden, where I was always greeted at the gate by my mother's embrace. I was loved. I am still loved, in a way I don't think I deserve. They watched over us and cared for us. Now it’s myself, my sister, and the grandchildren that mean everything to them.

I don't have many memories from my childhood, just a feeling that there is a place where it's good to be, where it's good to come home to.

I see my parents as good, more than good. They both have different attachments to us. While my mum is more of a cuddly type, my dad is less emotional, but I can count on him in every situation, he is my safe background. They've done everything they can to make life good for us. Maybe too much. They took care of everything for us, which is why later, when I was in a situation that was unknown to me, or when I had to do something on my own, I always doubted myself, I was unsure if I was able to cope.

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László Kupi in his teenage years
Photo: László Kupi

If we weren't with our parents, we were with our grandparents, especially during the time when our parents started building a house. The four grandparents also loved spending time together, they often got together. I saw in our family a sense of togetherness, of belonging together, the words of Dumas' famous novel were true for us: 'One for all, and all for one'. I know that sounds too good, but I consider myself really lucky to have been born into this family. But it is very difficult to live up to such an image of warmth and intimacy. I would say the bar is set high. I could never do as well as they did. But I try all the same. (smiles)

When I was ten, my mum and dad bought the neighboring property, which had a thatched-roof farmhouse and at the end of the garden a once-used blacksmith's shop with wooden doors, full of scrap iron and lifeless tools. Instead of tearing it all down, my father turned it into a museum. He turned the farmhouse into a museum-country house, where he collected objects of local history. This was the beginning of something that defined me. At the age of eleven, I started working here as a guide in the museum, which is still in operation today, and where, at my grandfather's initiative, we also exhibited a collection of minerals. He was the first in the family to get involved in mineral collecting. He was a short, stocky miner with tiny blue eyes, full of love. He was receptive to the beauty of minerals, and his work gave him access to a variety of stones. He had a passion for collecting and that seems to be in my genes, too. Whenever we were at their place, I would stop in front of Grandpa's cabinet and look at the stones, one by one, in their various shapes, but I would just look at them, not touch them. I watched his collection grow week by week. I had a close bond with my grandfather. He was the first one to give me a hammer and dared to take it under the ground or into the mountains. He took me to explore places that took my breath away.

Sometimes I wonder if he sees if he knows, what a mark he has left on me. That by taking my hand, which at that time was so small it was lost in his palm, with his big, charcoal-stained hands, he gave me passion and purpose. A purpose, to be the best mineral photographer possible?

That it is because of him that I see what is beautiful, what is good, what treasures are hidden in the depths, if you work hard for them if you are not afraid to get your hands dirty if you dare to get down on your knees?

At a very early age, at thirteen I left home to study at the boarding school in Pannonhalma. For the entrance exam into the six-year high school, I arrived with my father.  After the exam, we walked around to have a look at the abbey. Our guide was a senior student. At the end of the tour, I casually asked him what I should know about the high school if I was accepted, and what I should expect. "Well, there are classes here on Saturdays." Huhh, I thought, that's not so good. Then he continued, "You can only go home once a month, but sometimes even less often." Well, I say, this is getting worse. But the real shock came when he told me that "only boys study here"! Now that's a complete disaster. It took me years to come to terms with the situation. The first year was torture. I literally felt like a bird that has flown the nest but cannot yet fly. I was cold. Many evenings I wandered alone within the ancient walls of the abbey, surrounded by centuries-old paintings of the ancient abbots, archbishops, and other high religious officials, with their grim portraits looking back at me. They gave me the creeps. I was genuinely afraid of some of them. Their eyes were digging into me, almost looking into my soul, and I didn't want them to. I wanted understanding, not judgment.

When I graduated from high school, there was a national competition whereby the student with the best entry was automatically admitted to the ELTE Geology Department. I entered the competition and won. My parents disagreed because they wanted me to become a doctor, but I knew I was not the type. I became a geologist. At the same time as I graduated from college, I was involved in a research project in Northern Hungary, and as a result, I became fascinated by exploration geology and fieldwork. I first started working abroad in Turkey. I became an ore geologist, exploring gold. I'm looking for rocks from which certain metals can be extracted. There are companies that drill these rocks, take samples, and we geologists look at them, analyze their ore content, make 3D models of them and then calculate a stock. Anyone who has seen rocks that are two billion years old will probably know what it feels like to hold them in your hands.

We are holding in our hands a time so long ago that we cannot even imagine its temporal dimension.

I am attracted to minerals because of their beauty. It sounds so simple, but it's almost an obsession, an addiction, an admiration. Some see them as art, like a painting, some as an investment, like real estate, and others believe in their healing powers. The pieces I like best are those I have collected myself. One of my favorite pieces is a garnet crystal I found in the Börzsöny, in the woods near Verőce.

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minerals
Minerals - Photo: László Kupi

Later on, we were asked by the Rwandan government to assess the country's raw material reserves. One of the projects on this expedition was sapphire exploration. My wife's wedding ring has one of these sapphire crystals cut into it, which I dug up there in Rwanda. I specialized in ore exploration because I felt that ores were somehow tangible, as opposed to, for example, oil. It's like mathematics for me. I was never any good at algebra because I couldn't grasp x2, but I really liked spatial geometry, which always got me out of trouble. If I can see something in three dimensions, I can understand the connections within.

I was thirty-four when my childhood dream seemed to come true because the company I worked for sent us to the desert in Africa to prospect for gold. I woke up there every morning feeling blessed to have been given this opportunity. We lived in simple tents and slept on small camp beds. There was nothing else in the tent except the bed, a small metal cupboard, a tiny desk, and a lamp that ran on a generator. The generator was switched off at 8 PM, and immediately our camp was plunged into darkness. Many summers I would pull out my bed in front of the tent, lie on my back and just look at the stars. The sky was clear, with an almost unimaginable number of stars shining in the sky for an eye used to the skies of big cities, and the constellations were clearly visible because there was no light pollution nearby. We lived among Bedouins who taught us all the tricks of making their famous spicy coffee. I was in awe of their incredible sense of direction as they unerringly found their way home in what seemed to me to be an endless and desolate desert.

It was in the African desert that I lived through the biggest storm of my life, and it was there I felt the coldest in my life, it was so cold then that even the pyramids were snowed in.

Although I was impressed by the unrelenting wildness of the rocky desert, I felt that it was not yet the real Africa. I wanted to see the face of the continent, the animals and people that Kittenberger had written about. And then it happened. I received an email from one of the world's most serious consultancies, whose research was taking place in the rainforest of Gabon: "We would love to welcome you to join our team as a geologist."

One time we were on an expedition in the Congo, where we had local guides walking barefoot in the wilderness. One of them stuck his toe into the elephant droppings littering the road and found that it was still warm, so the animals were close to us. We went after the elephants, I always had a camera with me, and I was determined to take pictures of them. Of course, our guides warned us to be careful with these animals, because although forest elephants are smaller than their savannah counterparts, they can be more aggressive. Especially when they are protecting their territory or their young. Heart pounding, we crawled closer and closer to the herd, finally, we were about ten meters away when they spotted us. Suddenly, fear surged through my veins, and for a moment I stood stunned at the sight. It was unbelievable, the way the ground shook with the thumping of the elephants, their trumpeting deafening, in a way that I could feel the vibrations in my stomach. Suddenly the elephants started to move, at first, we didn't know if they were running away from us or towards us, but then it turned out that most of the herd had run away, it was a male elephant that was coming towards us. Thanks to adrenaline, we were running faster and faster and managed to take cover. Then we saw that there was a smaller elephant footprint next to the big one, so we should have known that they were going to protect the little one that was with them. I was very scared while running, but from the moment you survive, these events all stick with you as adventures.

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László Kupi and a giant turtle
Photo: László Kupi

When we were in the jungle at the top of a large mountain, after days of trudging through the dense jungle and swamp, with dense fog rolling in around us and our guide cutting his way ahead of us with his machete, we suddenly noticed him drop his machete, suddenly jump back holding his hand. It's very quiet. Only frightened looks. Two tiny wounds on his arm - we knew immediately it was a snake bite.

There is a set protocol to follow: sit the person down, use your satellite phone to call for help, and inform the center.

We have a so-called spot device that sends GPS signals to the rescue unit. But our guide’s condition was deteriorating rapidly, his mouth was trembling, and he was starting to go pale. We didn't have any vaccine because there is no antidote for all kinds of snake venom, but if we accidentally administer the wrong vaccine, it could kill the victim. Also, these vaccines require refrigeration, but we can't carry a cooler with us. Snakes like to rest undetected under huge tree trunks, and as soon as you step on the ground, you could easily be bitten on the ankle by a waiting animal. The most dangerous thing is what we can't see. If a mamba or a Gabon viper bites you, you have four to five hours at most if you don't get an antidote. This danger was part of our job, we had to live with it. We were in the Congolese wilderness, about four hours from our accommodation, which was also four hours from the base camp at the foot of the mountain. Two hours from the foothills was the nearest settlement, which was a twelve-hour drive from the nearest hospital. If you are bitten by a dangerous poisonous snake there, the time you have is only enough to call your family and say goodbye. That is if you are able to call them because satellite phones don't always work below the canopy layer. Sometimes my wife didn't hear from me for days because I simply couldn't make the call. After a snake attack, you have to take a photo of the animal to know what kind of snake bit the victim. I did manage to take a photo, while the other geologist in the team was trying to find reception, but it was very bad, so all they could hear in camp was that there had been a snake bite. When I got back from taking photos, I saw the victim throw up. There's nothing else to do, you start praying. Prayer brings relief and hope even in the jungle.

The guy used the tribal remedy for snakebite, which means that if you get bitten by a snake, you take a leaf, form a funnel, pee in it, and drink it.

Drinking his own urine on an empty stomach and the stress made the poor boy so sick that he started vomiting. Of course, this tribal "cure" did not live up to the hopes. But he survived because the snakebite was a so-called dry snakebite, so no poison got into the wound.

The lines from the movie Troy echo in my ears: "The gods envy us. They envy us because we’re mortal, because any moment may be our last.  Everything is more beautiful because we’re doomed." My time in the jungle has contributed a lot to my personal development. There, you learn to manage your fears, face them, honor them and make peace with them. In the jungle you are vulnerable, nature is still the master, you have to play by nature's rules and understand: man, be humble! I have understood that we must never look outside ourselves for the source of our fears, but within ourselves, and that the biggest fear of a man is themselves, that they are left alone with their thoughts. I once wrote a diary because it helped me to organize my thoughts. Nowadays I don't write them down, but at the end of the day, I think about what happened to me on that day. I give thanks for the day I had, I give thanks even for the most obvious things. It helps me focus on the good, creates inner peace, and helps me through the difficult moments. There are many situations in human existence that bring us to our knees, and we need a handhold. As I stood there in the middle of the jungle, like a madman rushing to his doom, I realized that I was surrounded by a wonderful world. After a while, my eyes got used to the darkness and I began to see. I saw many small creatures glowing around me, different kinds of mushrooms, butterflies, and fireflies. Suddenly I saw the world around us as beautiful and magical as I had never seen it before. A sense of wholeness came over me.

On one occasion, our guides and I were knee-deep in a swamp, exhausted after a day's exploring, when the road suddenly ended in front of us, revealing a huge gorge with two waterfalls swelling with primeval power. Even our experienced guides were unfamiliar with the area, and it was a fantastic experience to find that no one had ever been there before, not even the locals.

I quickly named the waterfall after my wife. My goal was fulfilled: to go somewhere no one had ever been before.

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László Kupi with his wife and daughter
Photo: László Kupi

Since I have a daughter, I don't go on such dangerous and long trips. Today, the thought of death scares me, maybe because of her. There is so much I want to pass on and tell her. And I want to prove to myself, too. Since 2016 I have been very consciously building my career as a mineral photographer. It doesn’t feel like work for me, it recharges me, and gives me a sense of creation. Every photo I am proud of is feedback to me that I can do it, it's just a matter of practice. It is important for me that when I put a picture in front of the viewers, I know that I have put all my skills into it. If I feel that I haven't, then I try to photograph that piece again, and I start again. Sometimes it takes me an hour, sometimes a day to get a mineral photo. And although sometimes I still dream of the rainforest, sometimes I still think wistfully of returning, now I feel I've reached my goal. For now, I don't want to go to dangerous places, to disappear in the jungle for months. Maybe when my family says I've been home long enough. (laughs) My adventures in the jungle will always be my teachers, the ones that taught me who I am and helped me dare to fight the battles with myself.

The story was written by Emese Kosztin based on the memories of geologist László Kupi.

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I will tell you my story - How would I live if I had only this one life?

Do you feel like you cannot find your way, this is not how you want to live? That you could do more and better? A woman living a wild life who once was the expert of self-flagellation. Approaching fifty, she finally understood the reasons and she got to...
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"It’s a bit of a miracle that these communities have kept the language, the culture" – the advent trip of young people of Hungarian origin from South America

28/12/2022
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Camila's parents are Hungarian, but she grew up in Argentina. David's mother is Hungarian and his father is Colombian, and while they live not far from Bogota, his grandparents live in Csorna, western Hungary. Kati Zágon, 65, was born in Brazil after her parents from Tata and Zemplén emigrated after World War II. What they have in common is that they all came to Hungary with the Diaspora Programme of the Rákóczi Association to spend ten days on an Advent trip to learn about their ancestors' culture. We visited the participants of the program in Budapest.

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Rákóczi Association
Diaspora Programme
American Hungarians
Hungarians around the world
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Sára Pataki
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Fourth and fifth-generation descendants

On a weekday morning, the Benczúr Hotel in the City Park is a hive of activity, trying to get forty children in one room. We are at the Advent camp of the Diaspora Programme of the Rákóczi Association, where forty teenagers of Hungarian origin, mainly from South America, will spend 10 days between 11 and 20 December. The study trip gives them the opportunity to learn about the places their ancestors come from. The young people come from Brazil, Argentina, Colombia, Australia and Northern Macedonia.

Liza Paulik is participating for the second time after a summer camp in 2019. She is one of the participants whose parents and grandparents are all Hungarian. Her parents moved to Australia four years ago for work, and her grandparents and cousins all live here. She tells me that there is a strong Hungarian community in Australia, and they try to keep the Hungarian traditions. "There is a Hungarian school, a Hungarian church, we go there with the family." Liza, 18, has already graduated from high school but has no plans to return to Hungary yet, as she will start university in March. When I ask her what the biggest experience of the camp has been so far, she names the boat trip.

Born in Rio de Janeiro, but living in São Paulo, 65-year-old Kati Zágon, who serves as a chaperon, and has long been active in the Brazilian Hungarian community translates to Portuguese for the children.

Many Hungarians emigrated to Brazil around 1932-33, and later in 1949 and '56. These are the largest Hungarian colonies in the South American country. "My mother is from Zemplén, my father is from Tata.

My parents left in 1949, after the Second World War, both Hungarians, but they met in Brazil. I have relatives here in Hungary on both my mother's and father's sides.

My father had six siblings, unfortunately, my parents are no longer alive, but my son moved here a few years ago, so I often come to visit," she says.

Kati has been teaching Hungarian for ten years, and she told me that the children in the programme, who come from Brazil, speak no or only a few words of Hungarian. "They are fourth- or fifth-generation descendants, so Hungarian is difficult for them.  Families try to keep the Hungarian customs, but there are many mixed marriages, sometimes neither parent speaks Hungarian, so they don't speak Hungarian at home anymore. They know a couple of words, for example, "szia". We teach them very playfully," she explains. The Hungarian schools and scouting are where they meet Hungarian words.

"I really enjoy that on these field trips I always learn something new and see something new. They're kids and they have a different mindset than we do, but they feel they belong to this community, they have their roots here," she says.

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Students on a boat trip on the River Danube
Participants of the Diaspora Programme on a boat trip, back left Kati Zágon - Photo: Rákóczi Association

"We do Easter sprinkling at home"

My next interviewee is Camila Blahó from Argentina, who will write her name down when I ask her to. Although she has a strong accent, she seems to understand the language well. Her family history is hardly a straight line – which is not rare among the participants. She says her parents are both Hungarian, born in Argentina, but she was born here and returned to Argentina when she was eight months old.

"We speak Hungarian at home. We go to Hungarian scouts, we do Easter sprinkling, we paint eggs, we learn folk songs, folk dancing," she says.

Camila goes to a so-called Saturday Hungarian school, where she also takes exams in Hungarian History, Literature and Geography.

 ”Finding friends!” – she says when I ask her what she likes about this trip. Then she has to rush, as it's after 9am and today's programme starts.

The kids will first meet Csongor Csáky, President of the Rákóczi Association. After a short introduction, a film screening will follow, during which Kati, the chaperon, will translate into Portuguese, while Lívia Buhajla, the communication officer of the Rákóczi Association, will translate into English.

They are on a tight schedule, with a morning walk in the City Park, lunch and then a 300-kilometre journey ahead. After their experiences in Budapest, they will spend a few days in Sátoraljaújhely, in the Rákóczi camp, touring the nearby villages and getting a taste of the Advent preparations in the countryside. Tokaj, Cigánd and Sárospatak will also be among the places they visit. While the children and their chaperones gather and collect their suitcases, we sit down for a chat with Csongor Csáky and discuss the past and present of the Diaspora Programme.

A kid from Moldavia and one from Buenos Aires chat in Hungarian

"School holidays are at a different time in each country, in the southern hemisphere it's summer now, so many people from Argentina, Brazil and Australia could only come now. They come from summer to winter at this time of the year. They are immersed in a Christmas in winter, because they celebrate Advent and Christmas in the summer at home," he begins.

The Rákóczi Association launched the Diaspora Programme in 2016 with the support of the government. Although the trips had to be stopped for two years due to the coronavirus epidemic, they were restarted at the end of January this year.

This year, 443 young people from around thirty countries - including South Africa, Colombia, New Zealand, Canada, Argentina and Israel - have already participated in the programmes such as a pilgrimage to Csíksomlyó or summer camps.

Most of the campers were high schoolers and college students.  

"In the summer camps, 500 young people were together for a week, and it was a great experience to see how a kid from Moldavia talked to a kid from Buenos Aires in Hungarian", recalls the President of the Rákóczi Association. He stresses that these young people come here because one of their parents or grandparents is of Hungarian origin, which plays a decisive role in their idenInterestinglyw can they keep and live their Hungarian identity more than 10,000 kilometres from us? - I asked. "Interestingly enough, in South America, it is through Hungarian folk dance. In many cases, young people from Uruguay, Argentina, and Brazil come here without knowing a word of Hungarian but dancing Hungarian folk dances which gives them a strong sense of Hungarian identity. They can dance, but they can't speak Hungarian, and they come and immerse themselves a little in Hungarian culture. It's interesting that those who come from the US or Australia cultivate the language more, while the those from Israel speak the language less, but they are more attached to Hungary," he explains.

At the beginning of the 20th century, even before the First World War, Hungarians emigrated to the New World, i.e. to the American continent, and then during and after the First and Second World Wars, and again in 1956. "Everyone has their own story of how they got where they are. It's a bit of a miracle that these communities have kept their language and culture," says Csongor Csáky.

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The group of students on Hero Square in Budapest
Participants of the programme at Heroes' Square (Kati Zágon on the left, David in the middle, Liza on the right, Camila in front) - Photo: Rákóczi Association

They return to university

Most of the children who come here go to Sunday school and belong to Hungarian scout groups and folk dance groups. To be able to participate in the trip, they had to ask for a recommendation from the Hungarian Diaspora Council that they are an active member of the local community.

"It is also an inspiration for them to return home and become more active there. Many fall in love with Hungary. It's very common that they come to Hungary as high schoolers, fall in love with the country, marvel at how beautiful it is, and come back later," explains Csáky Csongor.

Therefore, the Ministry of Foreign Affairs has a special scholarship programme, the Hungarian Diaspora Scholarship, which is aimed at young Hungarians from the diaspora, with 70-80 young people applying every year.

From 36 degrees Celsius to winter

As soon as we finish talking, the organisers tell us it’s time to leave for Heroes' Square. It's well below zero outside, but everyone seems to have gotten used to the Hungarian winter in the last few days. This week they've been to the castle, the Parliament and even on a boat trip on the Danube.

The participants came to Hungary in separate groups from each country, led by their chaperones. The only exception is 14-year-old David, the only student from Colombia. As we walk, he tells me his own family story in English, sometimes in Hungarian. Born in Spain, his father is Colombian, and his mother is Hungarian, he was six when they moved to Colombia and they now live not far from the capital Bogota. However, David's grandparents still live in Csorna, in the county of Győr-Moson-Sopron, in western Hungary. The 14-year-old boy has been in Hungary with his mother since November, as not only do his grandparents live here, but also one of his brothers is studying here.

How good is your Hungarian? - I ask. "I understand what they say, but it's a bit difficult to write or speak," he replies in Hungarian, and we switch back to English. When I ask him what he likes most about Budapest, he mentions the Christmas decorations. "I've never seen anything like it anywhere else, it's beautiful," he adds.

After a few hundred metres of walking, the staff of the Rákóczi Association will give a short guided tour of Heroes' Square. The students learn about the Millennium Monument, the seven leaders, and that the subway they have been travelling on started in 1896 and is Europe's first metro line.

"Small in front, big behind", the organisers ask.

The group photo is being shot, and everyone shouts "Rákócziii" instead of "Cheese".

And of course, the inevitable selfies are taken. Meanwhile, the children from Argentina are looking remarkably happy despite the sub-zero temperatures, as if they were dancing. "For someone who came from 36 degrees Celsius, they're coping quite well with the cold," says one of the organisers. They are particularly happy because Argentina beat Croatia on Tuesday to reach the World Cup final. It was a great night of cheering, watching the game, and celebrating,- they say. Well, let’s see how they can celebrate if they win the World Cup...

The Advent camp ends on 20 December and everyone can spend Christmas at home. But for most of them, this was certainly not their last visit to Hungary.

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Even during his student years in Marosvásárhely (Târgu Mures), there were always communities around Áron Trufán - whether he was going to folk dancing or Bible classes. No wonder that he later became the heart of the Hungarian community overseas, where he was serving then as a Reformed...
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”At the moment of Jesus' birth, the Lake Balaton came to be” – the magic of Christmases past

21/12/2022
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There were many Christmas customs and traditions in 19th-century Hungary, which are still kept by many families today. What are they? How did young and old celebrate Christmas in castles, in homes in Pest-Buda, or in rural villages? What were the beliefs and superstitions, what kind of food was put on the table at Christmas, and what did people decorate their hearts and homes with?

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Anikó Wéber
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In different centuries and different countries, Christmas has been celebrated with different traditions, and in our country, too, many different customs have coexisted. Christmas was celebrated differently in the capital and differently in the villages of different parts of the country.

They cleaned up, they reconciled

For the fasting of Christmas, on 24 December, people in villages carefully cleaned their houses and porches, even the stables of their cattle, as they awaited the most important guest in their homes: the baby who was about to be born. They also wanted to welcome the New Year clean and tidy, so they washed the furniture, put fresh straw in the bed, took a bath, and washed their hair. In many places, washing was accompanied by superstitions and beliefs. It was believed that on Christmas night (less often on New Year's Eve, New Year's Day, or Epiphany), water drawn from a well or river was golden water, good luck water, and that if you drank or washed in it, you would not get sick. It was also often given to animals to keep them strong and healthy.

Christmas was a time for fasting and for this reason, families tried to make not only their homes and bodies festive but also their hearts.

For the holiday, they tried to reconcile with whoever they held a grudge against and sent gifts to poorer relatives, and the family's regular workers.

Honey, walnut, and apple

In some villages, the most characteristic preparations for the holiday included covering the living room and the Christmas table with straw, and in other places, wheat, straw, and fodder were put in a basket under the table. The straw symbolized the stable in Bethlehem so that there would be room for the incoming Jesus, his parents, and their donkeys.

Christians prepared for every great feast, including Christmas, with a physical and spiritual cleansing, which included fasting. So on the 24th, the fasting day of Christmas, they ate no meat all day, and the meal was a simple one, beginning in many places with honey or garlic dipped in honey, to ward off evil and make the New Year sweet. In some regions, they also ate wafers flavored with honey, or racked walnuts, and those who had a nice, healthy nut in the shell had nothing to fear of any diseases in the coming year. Apples were an even more typical dish than walnuts on the Christmas menu, and their consumption was also associated with a wide variety of customs and beliefs. In Bátya, for example, the farmer would cut a beautiful red apple into as many pieces as there were people in the family so that the apple's power would keep them together in heaven. Pasta with poppy seed, poppy seed dough, and scones were common dishes.

When the water in the stream turned into wine...

In many families, Christmas Eve is an intimate evening with a festive dinner, when all the expectations of Advent are fulfilled, and it was no different a hundred or two hundred years ago. Families stayed up late, often playing cards after dinner, but the winner’s prize was not money but nuts. At midnight they went to mass, to which folklore also attached superstitions.

It was believed that at this time the newborn Jesus cast out the powers of darkness, the heavens would open, miracles would happen, such as the future being revealed, young people would know who their future spouse would be, and animals would speak in human tongue.

The water in the stream turns to wine, and the river flows with milk and honey. In his book, Christmas, Easter, Pentecost, Sándor Bálint mentions an old German record from 1848, according to which the Lake Balaton came to be at the moment of Jesus' birth, "to the awe of all, as the people living there still tell us today".

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Nativity players in 1942
Nativity players in 1942 – Photo: Fortepan/Miklós Lajos

First Christmas trees

In Hungary, Christmas trees probably became popular in the 1820s among the nobility first. Countess Teréz Brunszvik, who founded Hungary’s first nursery, the “Angel Garden” in Buda, celebrated the birth of Jesus with the kids in her care beside the first Christmas tree in 1828. Toys and useful gifts were hung on the tree as decorations, which the Countess then distributed to the children of clerks, tradesmen, carters, and laundresses. Archduke Joseph's third wife, Mária Dorottya, also decorated a pine tree in the family’s palace, and Hungarian politician Baron Frigyes Podmaniczky also claimed that he remembered his mother putting up one of the first Christmas trees in Hungary.

In the 19th century, Christmas on noble estates was not an intimate, small circle event, but was complex and ceremonial, where the family celebrated with the servants and the estate workers. In the Podmaniczky family manor house in Aszód, the servants would gather at 5 pm and the head of the family would present each of them with a gift, accompanied by a few affectionate words.

At six o'clock, the door to the head of the family's living room opened at the sound of three bells, and his five children were able to receive their presents. Each of them also got their own Christmas tree, which stood on a large table.

In the 1830s and '40s, decorating a Christmas tree became more widespread, and Christmas trees appeared in civic families’ homes, but in the countryside, it was not until later, at the end of the century or the beginning of the 20th century when they started decorating Christmas trees. At that time, evergreens were decorated with handicraft ornaments, sweets, apples, and nuts.

In 1864, Count Gyula Andrássy, who later became Prime Minister of Hungary, was celebrating New Year with his family at their estate in Tőketerebes (Trebiŝov, Slovakia), and decorated a huge black pine tree with paper roses, burning candles, gilded apples and walnuts. On Christmas Eve, they gave presents to the family, and on Christmas Day they celebrated with the estate workers and their children in the castle around the Christmas tree. Gyula Andrássy's wife Katinka presented the gifts, many of which she had made herself.

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Christmas engraving in the Sunday Gazette of 23 December 1854
Christmas engraving in the Vasárnapi Újság (Sunday Gazette) of 23 December 1854

Royal Christmases

Queen Elisabeth and Emperor Franz Joseph often spent Christmas in Hungary with their children, often in Gödöllő. Queen Elisabeth was born on 24 December, so she celebrated her birthday on the same day. A mass was held in the morning in the chapel of the castle, and in the afternoon they too had a Christmas tree and gave gifts. Elizabeth had several Christmas trees put up for the servants, staff, and their children and one for her own family. The pine trees were decorated with sweets from the court confectioner, Henrik Kugler, including coloured wax candles, ribbons, and roses, and the presents were placed on a table with a white tablecloth. After the presents were given, they played games, Mária Valéria, for example, loved to play blindfolds. A special Christmas tree was also set up for the children of Gödöllő, under which the students and the little ones could receive lots of sweets, new clothes, school equipment, and toys.

Mária Valéria made gifts for her loved ones herself, and one Christmas she made a coloured map of Hungary for her mother. She also greeted her on her birthday, always in Hungarian.

The holiday was not just about giving gifts. Mária Valéria was also called the Hungarian Princess, because her mother spoke only Hungarian to her from an early age and they spent a lot of time in Hungary. Her teacher was Bishop Jácint Rónay, who also recorded several Christmases. On one occasion, at six o'clock in the evening, they stood around a picture of the birth of Jesus, which had arrived from Vienna, and sang Christmas carols with the court, accompanied by Mária Valéria on the piano. The only light in the room was a small lamp behind the transparent picture, so it was only later that they noticed that the royal couple had entered. The carolers went silent with surprise, but the royal couple encouraged them to continue singing. On a later Christmas, the Bishop recalled, "we celebrated the anniversary of the birth of Her Majesty without a sound. At eleven o'clock I celebrated a silent mass for Their Majesties and the Archduchess. At six o'clock in the evening, in the hall of Her Majesty, a forest of burning candles and tiny flags fluttered on the giant Christmas tree, the branches of which, as if in homage, bowed low under the weight of the beautiful bonbons..."

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Children with a Christmas tree in 1942
Children with a Christmas tree in 1942 – Photo: Fortepan/Rados Tamás

How the capital celebrated

During Christmas, Pest-Buda was a hive of activity. Shop windows were decorated, and tents selling gifts were set up on the banks of the Danube: gilded nuts, small toy musical organized, sugar dolls, lambs, and ornate sewing boxes. The women organised Christmas charity fairs and performances to raise money for the needy. Dóra Kovács, a tourist guide, writes in her book that at that time the heart of Pest was beating around the Parish Church in the city centre. The Church Square opened up into the Town Hall Square, where hundreds of pine trees were sold in the winter between stalls at the city's largest and busiest market.

Once when the Danube froze over, the pine fair was held on the ice scattered with sawdust.

Váci Street and Lipót Street were also bustling with shoppers. From the merchants you could buy Santa Clauses, ‘Krampuses’ (little devil-like figures accompanying Santa), wooden dolls, fruit cakes, dried pears, Greek raisins, almonds, oranges, pictures of various Saints, and bouquets of rosemary. In the last third of the 19th century, the urban scene changed, with gas-lit and then electrically lit shop windows offering Christmas gifts. Hand-made toys were joined by mass-produced goods: little trains with rails, and expensive dolls.

People of the cities spent the Christmas season not entirely at home: a wide range of activities throughout the city tempted them out, and about. Children were taken to the circus to see clowns, animals and fireworks, magicians from abroad dazzled audiences with their magic tricks, and for adults, there were concerts and exhibitions. From 1870 onwards, people could skate every winter on the ice of the lake that later became the City Park Ice Rink. At Christmas time, ladies and gentlemen glided on the ice to the sound of a military band.

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A couple in front of a Christmas tree in 1959
A couple in front of a Christmas tree in 1959 – Photo: Fortepan/Kieselbach Tamás

The poet Petőfi makes a star

Civic families celebrated not only in the family, but friends and relatives would often go over to each other's houses and decorate pine trees together, play cards after dinner, or make indoor fireworks by the fireplace, for which the tools could be bought in shops. Well-off families also organized dances and get-togethers for their friends. Dóra Kovács also quotes from the memoirs of Mária Csapó, who, in the early 1840s, was 13 years old when she and her mother went to a dance after the distribution of Christmas presents at home. It was here that she first danced with her future husband, Sándor Vachott. A few years later, she was celebrating Christmas as Mrs. Sándor Vachott in her own beautiful apartment with her husband and his writer friends. Among those invited was the young poet, Sándor Petőfi, who arrived when they were decorating the pine tree and helped his friend to hang colourful stars on it. Later, as is the old custom, they gathered around the tree and made a star for Mária’s sister Etelke.

It was a twenty-four-point star, with a man’s name on each vertex. Petőfi, who loved Etelke, wrote a short poem for her on one of the vertices.

Etelke had to put this star under her bed and cut off a vertex in the darkness at dawn. According to superstition, the name on the cut vertex told the girls who their future husband would be.

Resources:

  • Bálint Sándor: Karácsony, húsvét, pünkösd; A nagyünnepek hazai és közép-európai hagyományvilágából, http://mek.niif.hu/04600/04645/html/index.htm
  • Podhorányi Zsolt: Gyerekek a kastélyban, Kossuth Kiadó, 2019.
  • Káli-Rozmis Barbara: Erzsébet királyné a születésnapját Gödöllőn ünnepelte/tumag.hu
  • Rónay Jácint: Erzsébet királyné udvarában (1871-1883), sajtó alá rendezte Vér Eszter Virág és Borovi Dániel, Erdélyi Szalon Kiadó, 2022.
  • Kovács Dóra: „A királyék megint itthon vannak!”, Álomgyár Kiadó, 2020.

 

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How Katalin Novák is preparing for Christmas and New Year – "I always strive to be truly present where I am"

14/12/2022
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Advent, Christmas, and the end of the year bring extra joy and extra things to do. We asked Katalin Novák, President of the Republic of Hungary, about her Advent plans, with whom we conducted the cover interview in the January issue of Képmás magazine, to be published on 23 December.

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preparing for Christmas
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Kati Szám
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What extra tasks does a Head of State have during Advent?

Many people may not know that the Head of State is the Commander-in-Chief of the Hungarian Army, so as Christmas approaches, it is my duty to visit Hungarian soldiers serving in Iraq who are away from their loved ones during the holidays. In addition to the official gifts, I also visit their families and personally "deliver" gifts made by their loved ones. Advent is first and foremost about waiting, about quieting down and helping each other to do so, beyond the family.

This is not a time to intensify things, but to create space in our hearts.

To reach out to those in need. I was able to light the first candle of the Advent wreath in the darkened street of Beregszász (Berehovo), in Transcarpathia, Ukraine, among the many people gathered to celebrate. We also collect donations these weeks for those in need. I try to help raise awareness and support good causes.

How can you quiet your soul down amidst the media noise?

I think it's entirely up to us. Although it is indeed difficult, it is difficult regardless of the position. It's not easy to understand in all this noise that Advent is not primarily about getting everything ready for the holidays and falling over ourselves to do so. In fact, we will be ready if we are able to let go of some of our to-do lists and really pay attention to what is important. We need to be present in our spiritual preparation.

What time do you want to get home to celebrate?

I always strive to be truly present where I am. If you long to be somewhere else or concentrate on the next thing or even the previous thing you did, there is not much point in what you are doing. Of course, I’d like to spend Christmas Eve, Christmas Day, and the first days of the holidays with my family, but that's not exclusive. Fortunately, the children are old enough now so we can coordinate family events well with office-related tasks. They often accompany me and want to understand why something is important. For example, bringing presents to people who are in need at Christmas time.

We encourage our children to prepare something, to offer something at this time of the year, to experience what it feels like to help others.

Is there a family tradition that there is no Christmas without?

We don't stick rigidly to traditions. I have found that inflexibility leads to tension. Of course, we have recurring habits, such as making Christmas candy or singing together, but there is no compulsory menu or set rule. Each year we give advent calendars to our children. It’s usually not a separate gift for each day, but something that adds up to create something whole, something special in the end. All this helps you to wait, and it is not even necessarily a material gift.

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Katalin Novák
Photo: Jácint Jónás

You will deliver your first New Year speech this year. How are you preparing for it? Do you think of something that is an important topic months in advance, or do you wait for what's going to be topical at that time?

The President of Hungary should speak out at highlighted moments. They should reflect on the general mood and condition of the people, they should express that they live with them, empathize with them, and are in the same community as them. Such highlighted occasions were my election, my inauguration, the national holiday on 20 August, and my speech at the UN General Assembly. On the last day of the year, like everyone else, I have to look back over the previous year and a little bit ahead to the next, but all in relation to the country, the nation. My New Year's speech can be a resource for those who listen, and that is what I will strive to do. I am constantly storing up certain impulses, experiences, and thoughts, but the current situation will be the determining factor. I will try to speak in a way that is both current and lasting.

Can we say that the coming year with this position also means the greatest possible professional freedom?

I have five years. I consider myself a sovereign person, and now I have been elected to a sovereign office. I can work for what I believe in. I am convinced that there are more things that unite us Hungarians than divide us, and there are highlighted moments when we feel this community. I look for these and try to show them to as many people as possible. This is how I work to show the unity of the nation.

I represent this country, and I want many people to see: Hungary is smiley and lovable.

It's a position I never aspired to, but I'm grateful for the opportunity that comes with it. It has come at a time in my life when I feel that I already have much to say and do and will have more.

 

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”Someone from above writes into my script” – Oscar-winner Ferenc Rófusz sent a message with The Fly: we'll get hit on if we buzz too much

07/12/2022
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Ferenc Rófusz, the animation filmmaker and creator of the first Oscar-winning Hungarian animation film (The Fly, 1981), recently received the Lifetime Achievement Award at the CineFest Miskolc International Film Festival. We were honoured to have the opportunity to hear the director talk in detail about the special twists and turns of his career and the milestones of his work across continents after the award ceremony.

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Ferenc Rófusz
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The Fly
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The Garden of Earthly Delights
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Adrián Szász dr.
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Is it true that your family has a special bond with Cardinal Péter Erdő?

My mother was the nanny of Péter Erdő for two years, and as luck should have it: when she grew old and she was in the retirement home of the Order of Malta, they met again. At a celebration in the small chapel of the home, the Cardinal celebrated Mass, and the two of them reminisced about old times.

Did your mother play an important role in your decision to start drawing?

She always supported my ideas, she said that if I believed in something, it would come true sooner or later. This is true for my film The Last Supper, which I had to wait 40 years to make because I had submitted the project in 1978, but it was rejected because of the religious theme. In hindsight, I think it's better, because if I had been able to make it then, we would have had a much lower quality production with the technology of the time. Now, however, we have lived up to Leonardo's painting a little. I know from this that if something doesn't work, you shouldn't press it, because no matter what I dream up, Someone from above will write into my script anyway...

In your script, which included filmmaking as well as drawing from a very early age?

There were four of us brothers. We played sports, as there was no television or computer at that time, and we didn't sit isolated, glued to our phones either. My mother drew beautifully, she dyed scarves, she designed patterns on silk shawls, and she tie-dyed. She taught me too, because she saw my talent, paying for summer art camps, and drawing lessons. Animation wasn’t taught at any school back then yet, so through a friend I got into the Hungarian Film studio, Mafilm’s animation group, and set designers. Then in 1968, I was able to apply to the Pannonia Film Studio, where sixty of us applied, six were accepted and I got in. I started with the Gusztáv series, besides which we had other productions such as the Mézga Family and Dr. Bubo.

The internal animation academy allowed us to learn from the bests: Marcell Jankovics, József Nepp, Attila Dargay, and József Gémes. Since then, I have been to many studios all over the world, but I have never met so many talented creators with so many different styles!

You had to spend at least ten years in the field to be allowed to submit your own film project, and for me, the first one was The Stone (“A Kő”). I remember József Nepp pulling out his drawer and saying, here are 15-20 scripts, choose one. And I wanted to draw the whole world in those three minutes!

In the end, you amazed the world with your 1980 background animated piece "The Fly". Do I know correctly that it was inspired by a Pink Floyd song?

My colleagues and I were very much centered around music, and I was a big Pink Floyd fan, I felt it very fulfilling at the time. They were the first band in the world to use noises for their songs, adding effects to them that made the genre new. I was inspired by a song from their album Ummagumma, in which a fly flies into a building and they chase it. The film flashed before my eyes immediately. Until then, all animations were made with characters jumping around in front of the background, playing the story for us. I wanted to come up with something new, because our masters had already done everything, and there was no way to top that. I had the idea of putting the camera in the eye of the fly so that we couldn't see the fly or the person chasing it, just the background. This was done by drawing a picture, but as the camera moved away, everything had to be drawn again, so we made over 3,600 drawings. Two ladies and I worked on it for two years.

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A drawing of flies for the animation film
A drawing for the animated film "The Fly"

Watching the film, I wonder a bit how it passed the socialist censorship back then...

It was very fortunate that Elemér Hankiss upported me all the way in Pannonia Film Studio, because it's true: questions came from above about who was the fly and who was the chaser. It wasn't like today, where you put forward an idea and no questions are asked. But it involved the feeling that we didn’t stand a chance and we’d get hit on if we buzzed too much.

It was indeed a miracle that the film was finally approved, but within a good six months, it won every festival and was in the top three at the Oscar nominations.

And at that time, in addition to professional innovations, they also paid special attention to the message that the competitors from Eastrealizeope were bringing.

When did you start to realise that your idea of background animation was a big one on a global scale?

We were invited to the Ottawa festival, we went there, and I had never seen a screen the size of that in my life! The Corvin and Alfa cinema’s screen in Budapest were the biggest I had seen before that. The people whose films were screened that day sat in the front row, the filmmaker stood up at the end and the audience applauded or expressed their displeasure. When my film started, there was a mad roar, a booing, we were convinced we had failed. I didn't know at the time that this was a sign of approval among young people in Canada. At the end of the film, I stood up, the lights came on me and an older gentleman about six feet tall stood up next to me. He put his arm around me and congratulated me, saying that it was fantastic! It was Bill Littlejohn, the legendary animator from Walt Disney, whose film was screened after ours, and he knew right away, what I didn't, that I had made a huge professional innovation. He inv,ited me to Los Angeles, drove me around the city and showed me everything.

But you could not go and receive the Oscar Award in person...

Because comrade Dósai from Hungarofilm went there instead of me and was handed the award, although I was of course invited to the event, but didn't get a passport. The reason given was that I had no chance against the two Canadian candidates. But a delegation of several people went, and the next morning at eight o'clock I heard on Radio Free Europe that 'The Fly' had won an Oscar. It was shocking!

Of course, it would have been quite different to be able to sit there when the envelope was ripped open, it wasn't easy to process that instead of all that I was at home lying in bed and waking up hardly believing my ears.

The Hungarian Radio announced it only in the afternoon, and I was allowed to go out two months later to collect the statue, which was taken back from Comrade Dósai later that evening. Because Littlejohn had told them that he knew me, and I couldn't have changed that much in six months, so someone else went out on stage on my behalf. Of course, this immediately became a story in the media there. If I said to a young person today, you've been nominated, but I'll bring the award home, I think they wouldn’t hide their opinion…

How much has the Oscar Award changed your life?

When I went to collect the statue later, I was confronted with how business works out there. Littlejohn hosted me in fantastic conditions, and his first question was what I had in my suitcase. I said, well what should I? A tennis racket, because we were both tennis freaks. He asked me where the original drawings were. I said,  well that would have been quite a load, I couldn't even lift it, how could I have taken them? He said, "You could have signed them at a gallery on Sunset Boulevard, and if we sold each one for $50, you'd have the money for your next movie!” But they also wanted me to do commercials, saying my name would sell to 15 countries as an Oscar winner. I realised that the Oscar Award didn't bring in money directly, but it brought opportunity: it opened doors and could multiply my salary.

In the 1980s, you left Hungary not for the USA, but first for Germany and then Canada. Why?

On the one hand, President Reagan tightened the rules, and people from Eastern Europe were not given a green card, and I couldn't risk it without one. On the other hand, I had a plan at home, a feature film called The Rabbi's Cat (“A rabbi macskája”). However, the script was rejected, as was Erich Kästner's The 35th of May, which we also submitted. So I went out to Germany under a contract with the Concert Office as an artist of intellectual products, with a work permit. After three and a half years, I accepted an invitation to Canada to work for Nelvana, the biggest animation studio there. They worked with today's 3D tecrealized which I regretted at first, but then I realised it was the future.

After two years I started my own studio and worked everywhere from Toronto to Chicago and Los Angeles. Then in 2000 I came home by accident.

By accident?

My marriage broke up after 30 years because my wife never felt at home there and returned to Hungary, but the opportunity for professional development kept me there. I returned home because of my current wife, Zsófia, who is a ceramicist, and founded the Buda Drawing School with two of her former classmates. I would recommend to all young people to go abroatheirr a couple of years and then return and put your knowledge to good use. I have my roots here, as a lawyer friend of mine in Canada said: I will never be a Canadian because it wasn’t there I went to school or met my first girlfriend, I didn't get caught by the police there and it wasn’t there I got drunk for the first time in my life. At home, I picked up where I left off, and my colleagues and I understand each other and finish each other’s sentences. Unfortunately, I am limited physically by an illness, but I can sit and draw at my desk, my hands and brain work.

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A frame from the animated film "The Last Supper"
A frame from the animated film "The Last Supper" by Ferenc Rófusz

Is what you have achieved as much appreciated now at home as it was appreciated abroad?

Hungarians used to have a kind of envy, they were very quick to judge. When I left, many of them thought I was a traitor, and it never occurred to them that I wasn't doing it for the money. Today, this attitude has changed, as can be seen from the fact that I have been awarded the title of Artist of the Nation, the Order of St. Stephen or the recent CineFest Lifetime Achievement Award. Of course, you get frightened of age when you receive a lifetime achievement award, but it is still a joy because it is given by the profession.

I managed to leave something behind, which is the goal of every artist, and this feedback is very good doping at the age of 76.

Do you think if we watch your films we will get to know your personality?

It's a good question. I go to high schools to give career advice, and there the students are uninhibited in saying what they think. The other day, one of them stood up and said, with due respect, they'd seen my films, and although I seem to be a humorous, cheerful person in real life, how come in all my films the main character dies... And everyone fell silent, including me. Oh my God, I thought, how right he is! It seems that what's hidden deep inside you comes out somehow. I made the "Ticket", also a background animation film, in 2011 at the urging of my eldest son. It's about how everyone gets a ticket for life, not knowing how many stops, what class of train, or when to get off. The film spins through a lifetime, and at the end the protagonist is buried, of course. And in this film, I had drawn the walker, the IV and the wheelchair, even though I could still play tennis for six hours at that time. I drew my own future, because now, as long as I live, I have to go to St John's Hospital every five weeks for an infusion to slow the deterioration in my mobility. Am I right in thinking that Someone from above keeps writing into my scripts?

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Ferenc Rófusz
Photo: Tibor Vermes

What you say is thought-provoking, as are your films. Why is it important for you to make an animated adaptation of Hieronymus Bosch's triptych "The Garden of Earthly Delights"?

Because I feel it's very current, even though Bosch painted it 500 years ago, when Leonardo's mural "The Last Supper" was painted.

Today, people are morally bankrupt, they should be shaken up and confronted with this. I would show my vision of this work of art, by bringing the 21st century into it.

Last year we made a two-minute trailer of "The Hell" panel, in which we brought in airplanes with sound effects, even though there was no war yet at that time (visitors to the Bosch exhibition in the Museum of Fine Arts could see this - ed.) But we can also be modern just by using a flash because 500 years ago there was no flash either. This animation is at least a year and a half or two years' work for five or six people, and as time is passing, it could be my last challenge, I want to make it permanent. There is also an idea for this and for The Last Supper, that wherever the painting will be exhibited, this animation film would be projected in the lobby, translated into five languages, so that people could go in and see Leonardo's work, or Bosch's after they’ve seen the animation of them. They would surely leave with an even deeper understanding, even maybe taking the film with them on a USB stick. Because Leonardo once had to say what he wanted to say in a single image, whereas we have 11 minutes to do so.

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Sugar bell, sugar stamp, sugar room – Marzipan Land, the empire of the Oscar-winning Lajos Kopcsik

30/11/2022
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It’s not only the taste of sweets that you can enjoy, but also the sight of them. This is especially true when someone uses sugar to create an icon, a mosaic, a reproduction of a painting, a bell, or an entire baroque room. Master confectioner Lajos Kopcsik has created his own empire, the Marcipánia (‘Marzipanland’), in Eger. The master passed away in June taking the secrets of his trade with him but his creations remained. We remember Lajos Kopcsik, Oscar and Venesz Prize winner, Guinness World Record holder, and world and Olympic champion with his friend and fellow artist, painter, and graphic artist István Herczeg.

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“Hiring a decent boy for apprentice ”

Kopcsik Lajos’s father was a miner but played the accordion beautifully and one of his friends played the violin and the two of them often played together. These childhood memories made music a part of Lajos’s life. Whenever he was working on a piece of art, he always listened to the music of Bach, Vivaldi or Mozart. Besides music, he was very fond of visual arts. ”Both of my hobbies help me in my work: loving music fills my heart and soul with joy, and loving visual arts helps my eyesight in my work” – he said.

One day this weak, and ailing boy was walking on the Main Street of his hometown, Sajószentpéter with his mother when they saw a note in the store window of Pál  Schmida master confectioner saying: “Hiring decent boy for apprentice”.

His mother told him right away to apply saying he could even get a bit stronger from eating lots of cakes. This is how at the age of 14 he started his career in the trade and fell in love with it. He was proud of his long white apron and he watched in awe how Pali bácsi filled 8-10 cakes simultaneously with cream. Not long afterwards however the door of the store got walled up and the master’s business license was withdrawn, and the apprentice boy had to go and work for the Borsod Vendéglátó Vállalat (‘Borsod Catering Company’) of which he later became manager. He did his internship in the capital, where he worked with Mátyás Szamos, among others. Since the age of 19, he has participated in national and international professional competitions, where his work has always been awarded a gold medal. At the age of 20, he married Margit Bencs, who also worked as a confectioner, and became his loyal companion and his stable background that allowed his talent to flourish.

Matryoshka dolls with onion-domed temples on their bodies

In 1988, he won a gold medal and an Oscar Award for confectionary as a member of the Hungarian national team at the Frankfurt Baking Olympics. In the same year, he moved to Eger, where he managed, among other things, the Kopcsik confectionery. Here he created vibrant cultural life with exhibitions and artists invited for coffee. After many years, it was here that through work he met István Herczeg, a painter and graphic artist who was from the same region of Hungary, too. The creative confectioner turned to pastry artistry when he was a teacher at the Vocational Training School for Catering in Eger. He was asked to chair the jury of a professional competition, where he took ten pieces of his work to be exhibited.

Immediately he was entered into the Berlin Olympics, where he won ten gold medals at one go and this got him into the Guinness Book of World Records.

"An entrepreneur who had opened the Eszterházy confectionery in Moscow, recognised the opportunity and in 1996 gave us the assignment to create a pastry artistry decoration," recalls the artist friend. - "We started thinking about what we could make out of sugar. We decided on the matryoshka doll, and I painted onion-domed Russian churches on the dolls' bodies." Also a world record was the three-and-a-half square metre sugar mural in the Offi House in Eger, designed and painted by István Herczeg in the style of miniatures found in the Topkapi Serai in Istanbul, in memory of the Turkish times in Eger. "We also invented a technique that made the artwork look like an icon. The night before the solution was born, we drank two bottles of champagne." And 15 years of working together, brainstorming and humour passed like this.

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Lajos Kopcsik and István Herczeg
Lajos Kopcsik and István Herczeg – Photo: Clara Teleki

Hard sugar dough, without almonds

The tragacanth, a sugar paste made of gelatine and icing sugar, became the basic ingredient, which the master developed further. As a decorative glaze, he used a mixture of egg white and sugar flour. The marzipan had to be left out because the high fat content of the almonds in the mixture makes it turn rancid. The sugar dough when dry is as hard as porcelain. It can be polished, which was the job of Sándor Sebők, the world's only master sugar polisher. Then came the artistic work of István Herczeg, who painted with tempera paint or precisely sketched the design. "I dealt with the three-dimensional pieces by painting, but I drew the flat shapes precisely. We put the colouring material in cellophane, like what you do when you decorate gingerbread, and whatever I designed, Lajos would sprinkle it on," says the graphic artist.

Dried, hard sugar dough is fragile, so for competitions, usually, two of each pieces of art were made.

"Lajos used to mould the sugar on styrofoam because raw sugar alone would not have held. The inner styrofoam at least held the mould until it dried. This is how the bell was made, for example."

 ”Pistike, what shall we do?”

With István Herczeg, we walk through the rooms of Marcipánia (‘Marzipan Land’), the former bell foundry, although the name can be a bit misleading, as marzipan had to be left out of the works of art that were meant to be permanent. István tells a story for each piece and chuckles good-naturedly at the memories he recalls. The brainstorming often started with a question: "Pistike, what shall we do?" (“Pistike” is a nickname for István) This is how the world's largest sugar stamp, the sugar version of the special stamp for Children's Day designed by artist friend János Kass, was created. Among the 120 objects, we find a two-metre-high wine bottle, the Minaret, a Vasarely reproduction, a Monet painting for the exhibition of the Museum of Fine Arts and Van Gogh's famous sunflowers, with every brushstroke precisely captured.

The pair was also inspired by the memory of Gárdonyi: of sugar dough, they created his chair, on which he sat to write the Eger Stars, and a portrait of him with a pipe.

"We feel a personal attachment to each piece," says the co-artist. - "Lajos's grandson loved the cartoon figure, the Little Mole, so we made one, as we made others, like Vuk, Nils Holgersson and Lúdas Matyi. In the latter, I also included a real cep, next to the fly agaric that is common in storybooks." A chess set was also made at the request of a chess player.

The more absurd the idea, the more attractive

"My wife once suggested that we make a funnel gramophone. Lajos thought it was an absurd idea, but in the end, it haunted him and he made two pieces: one for Moscow and one for Eger. A sculptor friend of mine, Sándor Sebestyén, sculpted a small bronze statue, the Trout Quintet, using the wax-casting bronze technique. We used this idea to create a record composition with five swimming trout. I have also hidden personal thoughts on it, such as "conducted by Lajos Kopcsik". People often don't even notice this kind of humour."

  "Pistike, let's do a folk art thing!" - the master confectioner once asked. István designed a palette of Hungary's most famous ethnographic regions. "Both of us had an educational intention to try to steer people in the right direction with our work." 

"There was only one suggestion to which Lajos Kopcsik at first not only said no but asked me directly: "Pistike, do you want to kill me?" Each frame of the Ravenna mosaic had to be coloured separately, in shades. For three years, he was torn before he decided to do it. It was a serious professional challenge."

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Matryoshka dolls made of sugar dough
Matryoshka dolls in Marcipánia

Baroque sugar room, guarded by a sugar dog

The Kopcsik Marcipánia opened in 2005, followed by three years of work, the master's long cherished dream, the Baroque room.

Everything here is made of sugar, except the mirror and the window glass. The floor, the wallpaper, the curtains, the chandelier, the impressive stove, the sofa, the tabla e with fruit, the violin with a bow.

The portraits of his grandchildren’s, as well as his wife’s and his own are on the wall. István also tells us how lifelike every inch of the Baroque room looks: “For the bone in front of the sugar dog that guards the room, we took a sample from the butcher, and when it was finished, I looked at Lajos to see if he was looking my way  and then smelled the bone to determine which was the real thing and which was the sugar.” One day the violin bow bent a bit, and that's when they discovered that the building had got a leak. The main enemy of sugar is moisture, so it took months of struggle to save the baroque wonder.

On one occasion, a Russian visitor had a craving for the showy sugar pastry and took a curious bite of the umbrella holder. Fortunately, it was not part of the exhibit, it was made of real metal. "Lajos was always cheerful and we had a lot of fun together, and in our circle of friends and acquaintances. He welcomed everyone. He also played a lot with his two grandchildren, and when they grew up he missed these moments of joy," says his friend.

Sometimes he even forgot to eat...

They created a travelling exhibition with István Herczeg, which was last exhibited on the occasion of the master's 80th birthday.

Lajos Kopcsik lived for his work and family.

Artwork brought him a lot of joy, although he hardly ever took a weekend or a break, sometimes forgetting to eat while he worked. When this way of life came to an end because of the lack of a workshop, the confectioner's soul was shattered. His loneliness as an artist was made even more profound at the time of the Covid pandemic. The artist, who left the mark of his hand and talent not only in Eger but also in Russia, Sweden and the USA, may now be moulding angels up there, to the live music of his favourites. Let us hope that the unique work of art created with István Herczeg will survive intact for a long time to the joy of the whole world and the pride of Hungarians.

Resourses:

  • http://www.kopcsikmarcipania.hu/kopcsik-lajos/
  • https://receptletoltes.hu/arch%C3%ADvum/11932?pdf=11932
  • http://www.egri-magazin.hu/az-egesz-eletem-a-cukraszatrol-szolt-el-sem-tudtam-volna-mast-kepzelni/

 

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“I was an altar boy in the morning and a thief in the afternoon” – The testimony of a Franciscan monk

23/11/2022
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The life of Franciscan monk Mihály Zillich - or as everyone calls him, Brother Misi - is a good example of how God is not selective, He can call anyone to serve Him, even those who knowingly do evil and are convicted of burglary.

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Mihály Zillich
Franciscans
Franciscan Order
Mihály Zillich Franciscan Friar
monks
monastic living
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Ágnes Bodonovich
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When did you first feel the desire to become a monk?

My family was not very religious, but I have always been interested, even as a small child, in what we are doing here on earth, what the meaning of life is, and what is beyond this life on Earth. At school, I took up religious education classes as soon as I could, and there I finally got my questions answered, sometimes giving really hard times to the teachers. Later on, I started going to church and took my first communion. I was also called to be an altar boy, and I was honored because through that I could serve the God who made me. At the age of 14, I saw the film Francesco on TV, about the life of St Francis of Assisi, starring Mickey Rourke. I was so captivated by the saint's example that by the end of the film I had a burning desire to follow the Lord as he did. I began to watch the Franciscan monks in our church, comparing them to the characters in the film, and I was often disappointed. But this did not discourage me, it encouraged me to show how you really should follow Christ in the example of St Francis. I also made it clear that I would become a Franciscan monk, even if I was a bad child now.

Why? What kind of a child were you?

I knowingly did the wrong thing and manipulated the people around me. I always sensed people’s weaknesses and enjoyed having power over them. At school, I regularly made my sister and classmates do my homework for me.

I once organized the robbery of the chemistry equipment room. I got into a lot of fights with three or four kids at the same time. Even if I got beaten up, I felt like a hero, because in action movies the protagonists fight several enemies simultaneously.

I also deliberately made my teachers freak out, sabotaging their lessons. I was referred to the Principal’s office several times, I was always on the edge. When I felt I was about to be expelled, I applied to different academic competitions. I did well on them so I was allowed stay. I had two selves: a church-going one and an ordinary one. While I was in church, I acted like an angel. As soon as I left, I started to get rowdy, and on Sunday afternoon I was looting the nearby construction site. I also used to break into the nearby bus garage, where I stole phones and car radios, sold them, and used the money to buy throwing and butterfly knives. At the age of 14, I was arrested by the police, I got two years suspended for burglary. Despite all this, I still had the desire to be good and to serve God as a Franciscan friar. I thought I could change if I wanted to, but until then I still have time to try a couple of things. Then at college as a computer science major, all I could think of was having fun. I only studied what I was interested in, so after two years I dropped out. I started working for a real estate company, it was great, I enjoyed making good money. Then the recession came and I felt it was time for me to go. I went to England.

What about your other self during this period?

I had a very intense experience with God before graduation. My parents divorced when I was five. My mother worked multiple jobs throughout my childhood to support us. One day she came home and couldn't get up, work, or eat anymore. We had to darken the house completely because she couldn't stand the light or the noise. At that time I didn't know much about how serious an illness depression was, and I was busy with my own world. One day she disappeared, leaving a suicide note: she was very ashamed that she couldn't support us. She thought it would be better for us if she died because then we would get some orphans’ benefits. We looked for her all night with the parish priest and the kids from church, but we couldn't find her. The next day I got on my bike again, I had a strong feeling, and I went to a nearby park, where I suddenly saw my mother, battered, muddy all skin and bones.

She failed to commit suicide, she was so drugged up she couldn't slit her wrists. I dropped the bike, ran over, and hugged her.

Immediately, the story of the Prodigal Son came to my mind from the Bible: the merciful Father runs to his son, asks no questions just is glad that he’s alive. This encounter completely changed my image of God: the Father loves his child as he is, not only when he is good and obeys the rules.

Despite all this, in my early twenties, I slowly lost my faith, I no longer felt the presence of God as I had before. I continued to go to mass, to serve at the altar, but I felt a great bleakness and darkness inside, I fell into a deep depression, and I even contemplated suicide. I questioned the existence of God and even my own. I began to read Greek philosophers and the doctrines of other world religions. After much research, I realized that the truth was somewhere in the Catholic Church and that God must exist. But at that time I had not yet regained my faith, but I wanted to believe. I often retreated into nature for reflection, and there I experienced once again the infinite love of God, which lifted me out of the pit, and the idea of monasticism came back to me. I went to England not only for the adventure and to learn a language but to clarify this question for myself.

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Mihály Zillich Franciscan monk on a swing
Photo: Botond DH

What did you find out in England?

Even though I was making a lot of money as a waiter in a five-star hotel and could afford the most high-tech electronic devices, designer clothes, or perfume, all of these only gave me pleasure for a couple of hours, I couldn't find my place. I felt a growing desire to give myself completely to God.

I gave my notice in the spring, even though I was up for promotion and a pay rise, and contacted the Franciscans to start my postulancy program in September.

In the summer I came home to fulfill some of my dreams before I entered the order, and the following were on my list: laser eye surgery, military survival camp, tandem skydiving jump, and rock climbing course. For reasons beyond my control, I ended up doing only the last one. In the meantime, I found out that my application had been mislaid, so I would only be expected the following year – I was informed about all these by a pastoral counselor. I was outraged that I had wound up my entire life, moved back home, and was not even being received by the Provincial Minister. I sneaked into the library of the monastery in Zalaegerszeg and found the phone number of the provincial at the time, called him and I ended up having a very serious argument with him. Several people must have interceded on my behalf because at the end of the summer he called me to say that I could go from September. But I said I was not to be tossed around as that and I had already planned to go back to England and come back next year. We made a deal: I would go to serve with Father Balázs Barsi in Sümeg for a few months to prove that I was serious about the monastic life, and only then would I go back to England. Later my mother fell into a deep depression again, so I came home earlier to take over her care from my sister. Again I asked the provincial governor for a postponement, although this time for only two months but he did not grant it. So I had to wait another year. After my mother got better, I went to work for the telephone company ‘Telekom’. When I gave notice saying that I was going to be a monk, they were shocked, they had never seen anyone quit for such a reason.

How did you manage to get rid of your old self?

Once I started my postulancy program, I was very disappointed in myself. I had to realize that the faults I had previously discovered in Franciscan friars were also present in me and that I was very far from my Franciscan ideal. I often vexed and humiliated my fellow postulant, who irritated me a lot. I found it difficult to obey, to ask permission or money for anything. I was annoyed that someone else was scheduling my day, so I cheated the system wherever I could. For example, I once ordered a very expensive coat from my old bank account in England. I timed the delivery so that my counselor would not be there when it arrived. At the end of my postulancy, I asked myself if it was a good idea for me to be there, or if I was not dishonoring the Franciscans. I began my probationary year with the hope that I might change. In that year of silence, completely cut off from the world - no TV, no phone, no internet, no contact with my family except by letter - I managed to cleanse myself of my past. I realized that I could not change by my own strength, as I had always wanted to, but only by letting God into my life because only He could transform me.

I literally experienced God taking my heart of stone and giving me a heart of flesh instead.

Did you have any temptations after that?

Once I started to live according to my vows every day, I realized how many things I had to give up. In my first year as a novice, I fell in love with a girl in our church in Pasarét. I didn't tell anyone, I just prayed a lot, and I had the deep, reassuring realization that my heart still belongs to God above all else. I told the girl that we should never meet again because my calling was to be a monk, even though I had fallen in love. Then came the painful realization that I would never have children of my own.

Instead of your own, you got hundreds of other kids. For years, you were the leader of the altar boys and the church’s youth groups in Pasarét, and recently you were appointed pastoral director of the St. Angela's School. Whenever I see you, there are always two-three kids around you.

I feel like God put a magnet inside me to attract them. When I go down to the school canteen, the children shout and run to me, clinging to me. The teachers try to discipline them, but I just goof around and laugh with them. Being a rebel myself, I can easily understand them, even the difficult ones. When I take them on a weekend trip, I feel like a family man. I feel it is God’s grace that I have so many children around me and I am grateful to Him that I can convey so much good despite my past and my weaknesses.

It is also important in today's society, which suffers from the lack of male role models, for the kids to see men who are committed to someone or something because today's young people find it difficult to do so and even harder to stick with it.

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Mihály Zillich with piles of humanitarian aid
Photo: Barnabás Moldoványi

As a rebel, do you still find it difficult to obey?

I have completely settled into the monastic life, I do my best to live this life as nicely and well as possible, that's why I took my final vows two years ago. We follow St. Francis’s concept that we can do whatever we want to as long as we serve the Gospel, so thus we can all be fulfilled. I can do the things that interest me, organize pyrotechnics shows, and flash mobs, take the kids on excursions, and play laser tag, or go-kart. My fellow friars always teas me that I organize these activities for myself. My rebellion today is mostly against mainstream thinking. While others desire power, position, or wealth, and while everything is about sex, I choose purity, poverty, and obedience of my own free will.

Why do you think your path has been so difficult?

Maybe others would have given up sooner, but that's what motivated me. But it's not necessarily easier for someone who applies straight after graduation and gets accepted into the order. I have the advantage of being familiar with what the world is like, I've done a variety of jobs, I know the weight of money and I know how to budget. But to grow into monastic life, I had to become a child again, to learn what it is like to rely on God rather than on the strength I thought I had.

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